Collection: Alexander Iskin

In a different reality where anything is possible, where unfamiliar colours live, where you need not know of either space or time, a world you created by yourself, where it is your rules everything obeys, here adventure is at home and nothing is impossible. Close your eyes: This land of miracles is infinitely large and beautiful, for it is a dream, for it originated from a thought. Welcome to the realm of fantasy. Enter and have yourself surprised, marvel and discover your boundless, wondrous wonderland. Befuddle and do please yourself, don't be misled, be wary. This world is fragile, frail and sensitive. A dark force, the void, is threatening it divesting of their colour everyone and everything, repressing joy, courage and inventiveness, spreading out persistently, devouring everything along the way. It is no condition – not black, not emptiness but simple nothingness. Vigorously struggling are the denizens of your world, with clenched fists they scream and swing at it, but just by getting close to it their skin turns grey. Open your eyes and look around your world:Grown, serious people who forgot what they were able to when young: believing, playing, marvelling and to be surprised -closing one's eyes and giving life to wishes. Sensing creativeness inside oneself, getting thoughts to dance. Giving birth to unknown shapes and colours and imagining impossible adventures. In how much that is impossible have you believed today already by the time of breakfast?
Alexander Iskin

    Attempt to clarify terms

    The term ›desire machine‹ (in the French original ›machine désirante‹ / ›desire machine‹) was coined by the French philosopher Gilles Deleuze (1925—1995) and the French psychiatrist and psychoanalyst Félix Guattari (1930—1992). In their work ›Anti–Oedipus: Capitalism and Schizophrenia‹

    ('Anti-OEdipe', 1972) you criticise Freud's psychoanalysis. In it you develop a theory of the 'unconscious', looking at its historical development and Freud's interpretation of it. The core of this thesis is: 'The unconscious is neither structural nor imaginary, nor does it symbolise, imagine or figurate. It runs, it is mechanical.' ('Anti-OEdipe', 1972) According to Deleuze and Guattari, what psychoanalysis observes is not the unconscious, but the effect of its repression. The subjection of the subject to structures such as the 'Oedipus complex', which limits the effect of the human psyche to entities such as 'mother' and 'father', is described here as an instrument for maintaining dominance and repression. According to Deleuze and Guattari, a predictable personality arises due to

    of prohibitions imposed on the desire machines (the concept of a machine-conceived unconscious). They conclude that the Oedipus complex is therefore an artificial problem whose various solutions can be simplified to overcoming oppression. The unconscious reacts to various influences; it is not determined by a negative lack, but by positive desires. In Deleuze/Guattari, the unconscious exists without the bourgeois idea of ​​father-mother-child that Freud describes; it creates itself through the unity of nature and man.

    Through the concept of wish machines, you give the unconscious back its subversive potential and intervene against the rigid, Freudian structure of the psyche.

    Impressions

    Alexander Iskin Galerie Lachenmann Art
    Alexander Iskin Galerie Lachenmann Art
    Alexander Iskin Galerie Lachenmann Art
    Alexander Iskin Galerie Lachenmann Art
    Alexander Iskin Galerie Lachenmann Art